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Following the success of the Roll With The Punches band tour across the UK and Europe, Martin Harley takes to the road for a run of intimate solo acoustic shows.

Through his road worn song writing style he explores hopes and fears for fast changing times. Slide guitar, as always is at the root of Martin’s sound, mirroring his whisky soaked northern breeze vocals. With fantastic reviews still coming in for the new album Roll With The Punches things are looking good for the wandering bluesman.

If success can be measured by a growing global demand to attend Martin’s dynamic live performances, then perhaps his touring schedule is proof of that. He recently played to a full house at the Union Chapel in Islington and has appeared at Edmonton, Vancouver, Canmore and Calgary folk festivals in Canada; UK Festivals Glastonbury, Bestival, Beautiful days; numerous European and US tours and events including the AMAs, The Bluebird in Nashville and Tønder in Denmark. Total Guitar Magazine ranked him #16 in the World’s greatest acoustic guitarist poll and he was nominated as Instrumentalist of the Year at the Americana music awards 2019.

This event has been rescheduled from Thursday 11 March 2021.

Dates & Times

Last session: Sat 12 Jun 2021 at 8:00 PM - This event has now passed

Derby Hall @ The Met
Tables from £48 / £16 individual seats (prices inc fees)

Tickets are available for socially distanced tables (maximum four people per table).

Smaller parties can purchase individual seats in the balcony. We have removed many of the balcony seats to allow you to sit in socially distanced groups.

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Covid Safety at The Met

If you’re ready to come and join us at The Met again here’s some information about what we’re doing, and what you can do, as we safely welcome you back to live events.

Learn about our COVID safety measures

Reviews

“No doubt that he is a slide guitar master. He is the business.”

Roots Magazine

“Harley offers the listener a masterclass in taste, style and roots blues.”

Guitarist Magazine

“Spellbinding.”

The Guardian

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