The Gigspanner Big Band are a unique force in British folk music…
Their high-energy, virtuosic performances appeal equally to traditionalists and to those looking for something more experimental, and they have garnered praise from publications as varied as fRoots, The Telegraph and The Wire, where they were described as “melodically folk-rooted yet open and innovative beyond the constraints of genre”.
Beginning life as a trio – with legendary Steeleye Span fiddle player Peter Knight being joined by percussionist Sacha Trochet and guitarist Roger Flack – the line-up has been expanded to form the Gigspanner Big Band, with acclaimed multi-instrumental duo Edgelarks (Phillip Henry and Hannah Martin; BBC Folk Awards ‘Best Duo‘) and Bellowhead co-founder and melodeon player extraordinaire, John Spiers, joining the fray.
While Peter Knight, as part of Steeleye Span’s classic 1970s line-up, helped invent a brand of folk rock that is still influential today, John Spiers, has had an equally profound impact on the landscape of traditional music over the last two decades.
2025 was a highlight year for the Band, marked by the release of their album Turnstone, which was nominated for the inaugural Folk Album of the Year 2025 Awards, and featured in several ‘Album of the Year’ listings, including esteemed music journal SONGLINES.
Characterised by riotous inventiveness, technically gifted individual playing and subtle collaborative interaction, this coming together of several of the biggest names on the folk-roots scene, combines a deep knowledge of roots traditions with a ceaselessly boundary pushing approach.
Reviews
“Their collective elan has a forceful presence unmatched in British folk. A faultless cavalcade”
The Guardian
“Turnstone is enthralling. It’s a serious piece of work which will leave your head and critical conscience in a spin. Live performances will deliver pure magic”
Spiral Earth
“The kind of re-enchantment which only comes from top-class musicians with a deep understanding of their material. Simply remarkable”
R2 Magazine
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